Friday, 22 April 2016

Song 161 - Purple Rain by Prince

The album of the week has to be Purple Rain by Prince, following the sad announcement of his death yesterday at age 57. If I had been writing my blog daily this week, Purple Rain, the single, would have followed Manic Monday. I am not going to say paragraph on paragraph about each song as I feel that Social Media, News sites and Twitter are doing that already. I am to give you two bits of trivial that I have on Prince.

(1) We shared the same birthday - 7th June, both Gemini. Please don't worry I am not going to say something weird like I can call the spirit of Prince, but I always thought it was cool that I had such a talented musician born on my birthday, who had respect and showed the world that you don't have to be tall to make your presence felt.

(2) If I had to pick one Prince song, it would be Darling Nikki as this song reminds me of being on holiday in the West Coast of Scotland as a teenage. Again, the faith mix tape was presence, of course belonging to my sister, and this song would be played against the backdrop of some of the most beautiful mountains of Scotland. I could imagine Nikki being in a remote castle and looking like a gothic vamp. It is one of those songs that you can allow your imagination get carried away. A writer's paradise was to be found in his lyrics of nearly all his songs.

Over the next week, there is going to be a bit of a Prince Tribute going on in the Jukebox as Prince was an iconic of music, and like David Bowie, you just wonder where the music scene would be today without in and you know no one can fill the gap he has now left.

Prince's Purple Rain

Monday, 18 April 2016

Song 160 - Manic Monday by The Bangles

Great song to sum up how I feel about today. Originally written by Prince, it was offered to the American Pop group the Bangles giving them their first single released from their second studio album. The song would give the Bangles their first hit, reaching number 2 in the UK chart in 1986.

Sometimes compared to the song Monday Monday by the Mamas and the Papas; I think everyone can relate to this song when Monday arrives too soon after the weekend and you wish you were still on Sunday. The song is written in D Major and moves at a tempo of 116 beats per minute and is set in common time. The actor Rudolph Valentio is referred to in the first verse. If you are a fan of Prince, you can hear his own lyrical style in the words of the song.

The Bangles formed in LA in 1981 and after a number of years working the music scene, they were asked to be the opening act for Cyndi Lauper on her Fun Tour. They had released one album before that happened which  received good reviews and an appearance of Leonard Nimoy on one of their videos. They followed up to Manic Monday would be their number one smash hit Walk like an Egyptian, which secured their place in main stream pop.

With a hurrah to the end of Monday, enjoy the lovely Bangles and their two smash hits:

Manic Mondays by The Bangles
Walk like an Egyptian


Manic Monday
Written by Prince
Released: 1986
Performed by the Bangles
Album: Different light

Walk like a Egyptian
Written by: Liam Sternberg
Released:1986
Performed by the Bangles
Album: Different Light

Sunday, 17 April 2016

Song 159 - Two Classics by Belinda Carlisle and Tiffany

Okay, I think I am learning something about my own pop history that 1987 was a year when I started to truly follow music in my own right as nearly every song that I have pulled out to cover a song as song of the day so far in our 1980s month has come from this year. Today I am covering two hits that were back to back number ones at the start of 1988, but were released in 1987, from Belinda Carlisle and Tiffany.

Before kicking off her solo career, Belinda Carlisle had been the front singer with the American all-female rock band, The Go-Go's that formed in 1978. They were and remain the only US female rock band to write and play all their own instruments. Their success speaks for itself with over 7 million albums sold since they formed.

In the mid 1980s, the band had a period of separation between 1985 and 1990, as changes in the band's line up led to a discontentment with the original band members. This break with the band, allowed Belinda Carlise to follow a highly successful solo career, which peaked with the international hit single, Heaven is a place on earth, which reached number one across many countries in the world.

Written by Rick Nowels and Ellen Shipley, the pop video was directed by Holywood Actress, Diane Keaton and would become Carlisle's signature tune. After topping the Billboard Charts in America, it would achieve similar success in the UK chart, where it would be number one for two weeks at the start of 1988.

Here is the classic song and video to enjoy
Heaven is a place on earth

Written by Rick Nowels and Ellen Shipley
Performed by Belinda Carlisle
Release: 1987
Album: Heaven is a place on earth

Heaven is a place on earth would be knocked of UK number on by Tiffany's 1988 version of I think we're alone now, written by Ritchie Cordell and a hit in 1967 for Tommy James and the Shondells. Sixteen year old, Canadian Tiffany burst onto the scene the pop scene and reached number one across several countries including the UK, US, Canada and New Zealand. Originally Tiffany hated the idea of covering the song but it became her signature tune and her biggest hit. I remember having a huge poster of Tiffany on my bedroom wall and thinking she was cool. I always wished that I could do the cross legged dance that is performed in the video, but I never had the co-ordination in my legs. I must admit that watching the video now makes me think of How I met your mother's Robin Sparks character with lets go to the mall. Perfect send up of this 1980s classic.

Enjoy another classic
Tiffany's I think we're alone now

Written by Ritchie Cordell
Performed by Tiffany
Released: 1987
Album: Tiffany

Friday, 15 April 2016

Song 158 - The Immaculate Collection by Madonna


Moving away from Stock, Aitken and Waterman, our Friday album gets me out of a tricky situation. If you are going to talk about 1980s pop, you have to feature Madonna. But which of Madonna's 80s hits would you choose?.... If like me you feel that it is impossible to answer that question,  then I hope you'll be happy with today's album - Madonna's The Immaculate Collection. 
Released in 1990, The Immaculate Collection, spent nine weeks at the top of the album chart in the UK and is Madonna's second album to be certified diamond by the Recording Industry Association of America for shipment of over 10 million copies across the United States. Having sold over 30-million copies worldwide, it is the best-selling compilation album by a solo artist and one of the best selling albums of all time.

From the moment Madonna released Holiday, her international success was really never in question. Released as the third single from her debut album, Holiday brought Madonna to the world and in the UK, it reached number 4 in the chart in 1984. Madonna's first two hits of Everybody and burning up only performed in the US chart.

Her debut album would give her two more UK hits with Borderline and Lucky Star. However, it is perhaps the hits from her second album that made Madonna an icon all over the world; those hits being Like a virgin and material girl. But it wasn't just Madonna's music that was becoming iconic, it was her look, style of dress and the way that she performed that influenced young girls/people everywhere. Madonna's style was copied by teenagers everywhere. The video that accompanied Like a virgin attracted critics and fans in equal measures. The critics wanted the song banned due in the belief that it unminded family values. Although Like a virgin stayed in the UK charts for 18 weeks, it peaked at number 3.

Material girl was the second single off the album; and with it Madonna created a mimcry of Marilyn Monroe's performance of the song Diamonds are a girl's best friend, again the single peaked at number 3 in the UK chart. Hot on the heels came her fourth single Crazy for you, released in 1985 and this reached number 2. Can we just take a moment here and think about the number of songs here that are so memorable and we are only half way through the 1980s.

The next song on the album is Get into the Groove, which came from Madonna's film Desperately Seeking Susan. This is a cracking song filled with dance moves and gave Madonna her first number one in the UK in 1985, staying at the top of the charts for four weeks. Some critics say that this was Madonna's first great single, but if I knew anyone who thought this I would ask them whether they had heard any of the songs I have already mentioned. Next on the greatest hits is Live to tell, the first single from the True Blue album. A powerful ballad with haunting lyrics. This would be followed up with Papa Don't Preach, which although was slated by some in the music industry, gave Madonna her second number 1 in the UK. Open your heart comes next, Madonna's tribute to Liza Minnelli and Marlene Dietrich

The next track La Lsla Bonita was first offered as an instrumental to Michael Jackson in 1987, but after he turned it down, Madonna took it and wrote the lyrics for it. Her ability to pick a good tune would give her her fourth number one in the UK. (True Blue was Madonna's third UK number 1 but didn't appear on the album.) I remember vividly this song being number one and the amazing red Spanish dress that was worn by Madonna. When this song became her fourth  number one single, Madonna broke the record for the most number ones achieved by a female artist.

The next set of hits on the album came from Madonna's Like a prayer album that was released in 1989. Like a prayer saw Madonna's song writing move towards a more adult audience and touched on her Catholic upbringing, which has been inspiration for a number of songs. The song and video won critical acclaim throughout the music industry and gave Madonna another number one single in the UK. Like a prayer open the doors for hits of Express Yourself & Cherish. 

On some albums, it is fair to say there are some tracks that aren't as strong as others, but when it comes down to Madonna's there is no such thing as a bad track. Vogue was the first single off her I'm Breathless album. Vogue is a classic Madonna's track and is probably the only one where you can run the quiz of which movie stars are named in the song. When it was released in 1990, it reached number one worldwide and became the best selling single throughout the world selling  over 6 million copies. Following on the success of Vogue, Justify my love & Rescue me, were the two singles from Immaculate Collection and each performed really well as single but received mixed reviews.

Madonna is an artist that has done it all, reinvented and restyle herself in a quest to keep herself relevant with her friends. When I was growing up, my sister was the bigger Madonna fan as my sister was slighter cooler than me, but Madonna's music has always been present in my life and reminds me of growing up.

Hear it for yourself and I hope you have a good dance:
Madonna's The Immaculate Collection


Released: 1990
Written by Madonna, Curtis Hudson, Lisa Hudson, Reggie Lucas, Stephen Bray, Patrick Leonard, John Bettis, Jon Lind, Brian Elliot, Gardener Cole, Peter Rafelson, Bruce Gaitsch, Shep Pettison, Lenny Karvitz, Ingrid Chavez.

Thursday, 14 April 2016

Song 157 - Love in the first degree by Bananarama

Put your hands up if you remember the dance moves to Bananarama's 1987 hit Love in the first degree with by Stock, Aitken and Waterman (SAW). I definitely would have my hands up if it didn't cause problems with typing!

Love in the first degree is a surreal story where the main character is dreaming they are on trial for love. The lyrics came from Siobhan Fahey and was then built upon by SAW and Sara Dallin and Karen Woodward. If you listen carefully to the music structure it can be compared to Pachelbel's Canon, which is one of my favourite pieces of classical music.

Taken from their fourth studio album Wow!, Love in the first degree was Bananarama's biggest hit in the UK, reaching number 3 in the chart. It also performed well across Australia and New Zealand. SAW was on fire in 1987 as this song was also nominated for a Brit award for best song, narrowing missing out to Rick Astley. I don't think there would have been any concerns for SAW's finances that year.

Bananarama started in 1979, where childhood friend Dallin and Woodward formed the group with Fahey, who had been on the same university course as Dallin. Influenced by the punk rock scene going on at the time, the band quickly developed their own style. After recording their first demo in 1981, they were picked up and signed to Decca until 1993. Their first mainstream hit in 1982 was Really Saying Something, which reached number 5 in the chart. With hits like Cruel Summer, Robert De Niro's Waiting, ensuring that the band became a regular feature on the British Chart. In 1986, SAW involvement with Bananarama gave the band their first number one with their version of Venus, a 1969 hit by Shocking Blue,written by Robbie van Leeuwen. Although Venus hit the top spot at the top of the US, New Zealand, Australia, Switzerland, Mexico and South Africa, it only reached number 8 in the UK chart.

However the success of Venus ensure that Bananarama would continue working with SAW and they would produce Wow!, and give the kids of the 1980s yet another terrific dance of the 1980s. I remember dancing around the living room to this song as my sister had bought the 45" single.  I am so glad that YouTube wasn't invented then.

If you never learnt it, here's your chance
Love in the first degree

Written by: Siobhan Fahey, Sara Dallin, Karen Woodward, Stock, Aitken and Waterman
Released: 1987
Album: Wow!

Wednesday, 13 April 2016

Song 156 - Respectable by Mel and Kim

About four years ago, this song, once again,  became very familiar to me as a group of friends and I put together a special hen night tribute to one of our friends and Respectable was one of the tracks we used in our surprise for her.

Recorded in 1987, Respectable became the first (and only) number one for the sister act,  Mel and Kim, and the first number one that Stock, Aitken and Waterman (SAW) had written and produced for one of their act.

Respectable  wasn't just a number one in the UK, it also topped the charts in six other countries, including Switzerland and New Zealand.

Respectable has a catchy beat and a brilliant chorus of lyrics including Take or leave us, only please believe us, we are never going to be respectable! Making a statement was Mel and Kim's calling card and their style was something that was picked up very early by SAW, who changed their song writing to ensure their hits brought out their personality. Before embarking on her music career, Mel had been a glamour model and the band is iconic with their hats being the  main focus piece of their style. Their first break through hit Showing out (Get fresh for the weekend) reached number 3 in the UK chart, with their original single demoted to the B side of this single. Respectable was their second single.

Tragically, Mel had already been treated for cancer before the band started its climb to stardom and as their popularity grew, so did speculation over Mel's health. Although they tried to keep  her fight with cancer a private matter, Mel died in January 1989 at age 23. Tragic doesn't feel a strong enough word as looking at the success the sisters' were having you have to wonder what else this sister duo would have done if Mel had lived. It shows how important it is to take each opportunity in life when you have it.

To hear the brilliant Mel and Kim sing and look at those 80s fashions
Respectable

Written by Stock, Aitken & Waterman
Recorded: 1987
Album: F.L.M.



Tuesday, 12 April 2016

Song 155 - So macho & Toy boy by Sinitta

This song definitely changed its meaning after the success of X-Factor and the idea that Sinitta could have been thinking of Simon Cowell when singing these lyrics! Although, without Simon Cowell, it is very unlikely that So macho would have been a hit of the 1980s. Sinitta was the first artist that signed with Simon Cowell and Fanfare records back in the 1980s, and her first hit So macho was written by James George Hargreaves. Unfortunately, just before it was due to be released, the record company changed its mind and was about to withdraw Sinitta's record contract when Simon Cowell stepped in to change the course of history, putting up the cash to finance the record production.

When So macho was released in July 1985, it was an instant hit in clubs and high energy discos, but really failed to do anything on the UK chart. As it was selling but not charting, Cowell made the decision to delete production of the single in October 1985 to allow them to re-release the single in the middle of February 1986. So macho, again didn't immediately grow into an overnight success and it took 4 months for it to emerge from the lower end of the chart, but then it started gaining commercial air play which took the single all the way up  to number 2 in the UK chart. So Macho would go on and sell over a million copies and from the £5,000 put up by the record company to get the song released, they would see  the single return a profit of £1,000,000 and helped to secure the future of Fanfare records.

With the success of So Macho, Cowell encouraged Sinitta to work with Stock, Aitken, Waterman (SAW) as her style fitted the SAW machine perfectly and this partnership led to the creation of Toy boy, which was released in 1987 and spent 14 weeks in the UK chart making it one of the best selling songs of the year. This shows the power Simon Cowell has had over the music industry and the ability he has of recognising talent.

So lets have a disco Tuesday with not one but two hits from Sinitta.
So Macho
Toy Boy

So macho
Written by James George Hargreaves
Released: February 1986
Album: Sinitta!

Toy boy
Written by Stock, Aitken & Waterman
Released: 1987
Album: Sinitta!