Song 178 Celebrating 50th Years of Sgt Pepper's Lonely Hearts Club Band by the Beatles

On June 1st, 1967, an album would be released that would change the pop industry forever. I am of course talking about St. Peppers Lonely Hearts Club Band by The Beatles. Whether you love or loathe the Beatles the relevance of this record, even in today's music scene, cannot be denied. I haven't hidden the fact that I'm a Beatles geek who believes there is a Beatles' song for every occasion, but forgetting all this, this album should be owned by anyone who loves music.

When the band started writing the album, late 1966,  the press had decided that the Band was in crisis, retiring from touring, not releasing albums every six months, they were obviously heading downwards. Adding to this was the failure for the double A-sided single, Strawberry Fields Forever/Penny Lane to reach number one in February 1967,  this surely meant the end of The Beatles!

What the sceptics didn't understand was the masterpiece being created by the Band and George Martin. Free from the need of having to perform tracks live, the foursome were able to experiment. They created St. Pepper's band as their alter ego, allowing them to push the boundaries like never before. When the Beach Boys had released Pet Sounds, the year before, it had made the Beatles stand up and listen, they wanted to be able to explore their musical creativity, it started with Revolver and exploded with this album.

For me, St. Pepper is the coming of age album of the Beatles and is a crossroad between their early albums and their post pepper material.  It is like growing up with your friends, your boundaries and experiences change, whilst the core remains true; fantastic music.   Also, it is impossible to take away from the cultural significance of the album release at the start of summer 1967, the war babies were turning into adults and pushing the boundaries of society. This rebellious nature would be seen with 3 of their songs being banned from the BBC's playlist due to their references to drugs.  It shows how music listening depends on how old you are, I would have never known that Henry the Horse from The Benefit of Mr Kite, was slang for Heroin when I heard the song at the age of 11. Lucy in the sky with Diamonds is infamous with LSD, even though John Lennon maintained the song was inspired by his son's drawing.  Drug induced or not, the album's 13 songs of colourful characters like Lovely Rita, and heartbreaking ballads, She's leaving home, will have you streaming in tears and laughter in equal measure.

If you're never heard the album, promise me you will enhance your enjoyment of it by listening to in its entirety, the songs were recorded without the natural break between them so it is like a string of music, and if possible, listen to it on a record player. Last year, we invested in a record player and without a doubt, it is the best way to listen to music from the 1960s. Even the cat listens when we have records on.

When you listen to it for the second time, it is the production value that you will start to appreciate; from varispeeding vocals to ADT, dampening to building three-dimensional vocals, it is under surprising that this album took nearly 700 hours to record and cost a reported £25,000 to produce. Their first album Please Please Me cost £400. A little increase in though figures. Rumours had it that some of the band weren't as keen as other with all the fancy production techniques, but hopefully hearing their finished album and knowing that it still tops the top albums ever written, made up for any boredom in the studio.

Then when you listen for the third time sit with the wonderful cover in front of you and try to guess all the famous faces on the album selves. Designed by Peter Blake and Jann Haworth from a stretch drawn by Paul McCartney, there are over 50 famous faces on the front cover. Winning the 1968 Grammy award for Best Album cover, it is instantly recognisable to millions across the world and illustrates the journey of the band, their influences and their heroes to write this album. For me, as I reach my own crossroads to a new decade, the Beatles are part of my cover and their music has shaped who I am.

Thank you, John, Paul, George and Ringo for this album. For giving generations who live after yours, an album that keeps its relevance and music sharpness no matter how old it becomes.

Hear Sgt. Pepper's Lonely Heart Club band and enjoy the levels of music.

Released: 1st June 1967,
Written by: Lennon, McCartney & Harrison.
Record label: EMI & Apple

Song 129 - Celebrating George Martin with some Beatles

Being a huge Beatles fan, it wouldn't have been right to pass over the death of George Martin, one of the most influential record producers of the 20th century, just because he didn't necessary sing on any hits. His death was announced today,  aged 90, and since then there has been an out pouring of tributes to the man, who in Paul McCartney's words was the fifth Beatle.

Picture the scene when in 1962, Brian Epstein told the Beatles that he had secured him a deal with EMI. This statement turned out to be a lie and the Beatles had been invited to audition with record producer, George Martin and to be honest, Martin wasn't that impressed by what he heard to begin with but he recognise something in their music which eventually led to him giving them a record deal on June 6. Although he did suggest that band made some changes and he was often blamed as the person who sacked Pete Best, the original drummer of the group.

When Paul McCartney paid tribute today to Martin, he talked about him as a second father who was able to guide, promote and challenge the fab four. Introducing elements like strings to tracks of a rock and roll band, Martin  had the vision to help them translate their musical ideas and songs into the masterpieces we love today. He wrote the string section part of Eleanor Rigby and the electric backing to I am the Walrus. Perhaps, now-a-day, with the advancement of music equipment and computer, we perhaps take for granted the basic equipment used to create some of the iconic sounds of the Beatles' songs. When it came to recording St. Peppers' Lonely Hearts Club, Martin devised a technique whereby a number of tracks were recorded and then mixed down on to one single track, giving the flexibility of a modern multi-tracked studio. At the time EMI had only four- track tape machines. He also made much use of recording different tracks at various speeds to change the texture of the final sound.

In the later stages of the Beatles' career, the band themselves became much more knowledgeable on producing records, however, Martin remained a critical part of the band's makeup and after their break-up  continue to work with the band members independently.

But it is important to recognise that although George Martin was most famous for being the producer of the Beatles, his career far outstretched the fab four and with a career spanning 6 decades, he produced over 700 records, wrote film scores and worked with a variety of artists including Matt Munro, Dire Straits, Elton John, Shirley Bassey, Pete Townsend, Cilla Black to name but a few. His talents will shine throughout the history of pop music for generations to come and his name will never be out of tune with the music world. RIP George Martin and have fun with the musical talent in heaven.

Here are just a number of iconic songs that Martin brought to our ears:

1. Love me do, performed by the Beatles, from Please Please Me, 
Love me do

2. Eleanor Rigby, performed by the Beatles, from Revolver, 
Eleanor Rigby

3. A day in the life, performed by the Beatles, from St. Peppers' Lonely Hearts' Club Band, 
A day in the life

4. Rain, performed by the Beatles
Rain, performed by the Beatles

5. I am the Walrus, performed by the Beatles, from Magical Mystery Tour 

I am the Walrus

6. Strawberry Fields forever, performed by the Beatles, from Magical Mystery Tour
Strawberry fields forever

7. Right said Fred, performed by Bernard Crippins
Right said Fred

8. Diamond Dust, performed  by Jeff Beck
Diamond Dust

9. From Russia with love, performed by Matt Munro
From Russia with love

10. Ticket to heaven, performed by Dire Straits, from On Every Street, 1991
Ticket to heaven